Del Mar International Composers Symposium 2022 Composition Faculty and Fellows

Composition Faculty:

Robert Honstein

Celebrated for his “waves of colorful sounds” (New York Times) and “smart, appealing works” (The New Yorker), Robert Honstein (b. 1980) is a New York based composer of orchestral, chamber, and vocal music. 

Ensembles and performers of Robert’s music include the Albany Symphony, Dayton Philharmonic, Orchestre Symphonique du Mulhouse, Eighth Blackbird, Ensemble Dal Niente, Mivos Quartet, Del Sol Quartet, Argus Quartet, TIGUE, New Morse Code, Colin Currie, Theo Bleckmann, Doug Perkins, Michael Burritt, Karl Larson, Ashley Bathgate, among others. Interdisciplinary collaborators include photographer Chris McCaw, projection designer Hannash Wasileski, graphic designer Laura Grey, director Daniel Fish and his music has also been choreographed by numerous dance companies including the Cincinnati Ballet. His music has been released by New Focus Records, Soundspells Productions, Cedille Records, and New Amsterdam Records. NPR included his piece ‘Pulse’ from Eighth Blackbird’s ‘Hand Eye’ as one of their top 100 songs of 2016.

Robert is a founding member of the New York-based composer collective Sleeping Giant. With a commitment to building community around the music of our time, Robert has co-founded Fast Forward Austin and Times Two in Boston. As an educator Robert has participated in outreach projects around the country, while also serving as Program Manager and Composition Faculty at NYU, Steinhardt.

roberthonstein.com

Nina C. Young

The music of composer Nina C. Young (b.1984) is characterized by an acute sensitivity to tone color, manifested in aural images of vibrant, arresting immediacy. Her musical voice mixes elements of the classical canon, modernism, spectralism, American experimentalism, minimalism, electronic music, and popular idioms. Her projects, ranging from concert pieces to interactive installations, strive to create unique sonic environments that explore aural architectures, resonance, and ephemera.

 

Young’s works have been presented by Carnegie Hall, the National Gallery, the Whitney Museum, LA Phil’s Next on Grand, and the St. Paul Chamber Orchestra’s Liquid Music Series. Her music has garnered international acclaim through performances by the American Composers Orchestra, the BBC Symphony Orchestra, the Milwaukee Symphony, the Minnesota Orchestra, the New York Philharmonic, the Philadelphia Orchestra, the Phoenix Symphony, Le Nouvel Ensemble Moderne, the Aizuri Quartet, Either/Or, the JACK Quartet, wild Up, and Yarn/Wire. Winner of the 2015-16 Rome Prize at the American Academy in Rome, Young has also received a 2021 Guggenheim Fellowship, a Koussevitzky Commission, the Aaron Copland Bogliasco Fellowship in Music, a Civitella Ranieri Foundation Fellowship, a Charles Ives Scholarship from the American Academy of Arts and Letters, the Salvatore Martirano Memorial Award, Aspen Music Festival's Jacob Druckman Prize, and honors from BMI, IAWM, and ASCAP/SEAMUS. 

 

In 2019, Carnegie Hall commissioned Out of whose womb came the ice with the American Composers Orchestra: for baritone, orchestra, electronics, and generative video, commenting on the ill-fated Ernest Shackleton Trans-Antarctic Expedition 1914-17.  Other recent projects include Tread softly that opened the NY Philharmonic’s Project 19, a violin concerto for Jennifer Koh from the Philadelphia Orchestra, and The Glow that Illuminates, The Glare that Obscures for the American Brass Quintet alongside an immersive audio-visual installation version commissioned by EMPAC showcasing a vertical orientation of their wave field synthesis audio system.

 

A graduate of McGill University and MIT, Young completed her DMA at Columbia University. She is an Assistant Professor of Composition at USC's Thornton School of Music.  She serves as Co-Artistic Director of New York’s Ensemble Échappé.  Her music is published by Peermusic Classical. ninacyoung.com

DMICS 2022 Composition Fellows will be announced soon!

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